With the coronavirus breaking out from China, Steven Soderbergh’s Contagion (2011), a thriller about an apocalyptic epidemic, has been downloaded enough times to crack the top ten of the UK iTunes movie rental chart, ranking it alongside more recent hits, according to The Guardian. The deadly virus in the film also originates out of China because of a bat, as more than one Twitter user have pointed out. This example of “life imitating art” calls to mind the three-day conference the Pentagon hosted with Hollywood screenwriters and producers after the September 11 attacks to brainstorm possible worst-case scenarios for future atrocities.
With the thirtieth anniversary for the release of Steven Soderbergh’s sex, lies, and videotape (1989) come upon us, the time is now to revisit the filmmaker’s feature-length narrative debut as well as its place in cinematic history, according to The Independent. It was the first independent film to succeed as much as it did, winning the Palme d’Or for a twenty-seven-year-old Soderbergh, the youngest director to do so, and grossing a hundred million worldwide on a million-dollar budget. Not only that, but it also laid the foundation for Soderbergh’s career, with his eclectic genres ranging from mainstream to arthouse sensibilities.