Film has the power to misrepresent history in the collective memory of its audience, especially for younger generations who have not lived through any past events portrayed onscreen, according to Psychology Today. Indeed, studies show how believable misinformation can change memories, and in persuasion and social psychology, the “sleeper” effect is able to make people believe something they didn’t agree with or believe earlier. Doctor Alan D. Castel writes that in a perfect world, a recent example of alternate history like Quentin Tarantino’s Once Upon a Time in Hollywood (2019) would inspire viewers to research the facts behind the fiction.
At a press conference in Moscow for his Once Upon a Time in Hollywood (2019), Quentin Tarantino said Wednesday his tenth and final film will function as a “show-stopping climax” if you read his other nine movies as one story, according to Uproxx. Describing his filmography as “boxcars connected to each other,” the auteur did not mention whether his R-rated Star Trek screenplay will mark his grand finale, or if he will bow out with an original idea. In an interview with GQ Australia, Tarantino told the publication that while he plans to retire from theatrical filmmaking, he will still write books and plays.
Quentin Tarantino’s Once Upon a Time… in Hollywood had its first official press screening Tuesday at the 2019 Cannes Film Festival, according to The Wrap. Reviewer Steve Pond writes that the Croisette was swarmed with passholders scrambling to get into the premiere after the film was infamously excluded from the April 18 lineup announcement, a decision Cannes chief Thierry Fremaux says was made to give Tarantino more time to finish the movie. As for the picture itself, Pond criticizes its length (the runtime clocks in at over two and a half hours), but ultimately praises Once Upon a Time… for the personal, semi-autobiographical flourishes the aging director brings to this story of a successful 1950s television actor named Rick Dalton (Leonardo DiCaprio) and his stunt double, Cliff Booth (Brad Pitt), fighting to stay relevant in a feverishly stylized vision of 1969 only Tarantino could dream up.