Ennio Morricone died yesterday in Rome at ninety-one years old, according to The Los Angeles Times. Staff writer Randall Roberts describes him as not only “the most important film composer of the twentieth century,” but “also the busiest.” Roberts lists his top ten scores as: Sergio Leone’s Trilogia del dollaro; Gillo Pontecorvo’s La battaglia di Algeri (1966); Sergio Sollima’s La resa dei conti (1968); Dario Argento’s Il gatto a nove code (1971); Bernardo Bertolucci’s Novecento (1976); Terrence Malick’s Days of Heaven (1978); John Carpenter’s The Thing (1982); Roland Joffé’s The Mission (1986); Brian De Palma’s The Untouchables (1987); and Quentin Tarantino’s The H8teful Eight (2015).
In the season finale of the YouTube series Reunited Apart with Josh Gad, the core cast of John Hughes’s Ferris Bueller’s Day Off (1986) joined together for the first time in thirty-four years, according to NBC Chicago. Matthew Broderick, Jennifer Grey, Alan Ruck, Mia Sara, Cindy Pickett, Lyman Ward, as well as Ben Stein all hopped onto a Zoom call with Gad. Broderick, who hadn’t seen Ruck in at least fifteen years, told Gad about how he hurt his knee before shooting the parade scene, before the cast went on to act out iconic scenes from the cult classic.
SpringHill Entertainment, a film company co-founded by Maverick Carter and his business partner, NBA megastar LeBron James, will produce a documentary about Black Wall Street and the Tulsa Race Massacre (with no release date as of yet announced), according to KTUL. Salima Koroma, who pitched the project back in April, will direct the picture, tweeting that, “The Tulsa Race Massacre is not just a black story but American history. The fabric of this country is soaked in racism and today 99 years later, we’re still fighting for change.” This week marks the ninety-ninth anniversary of white rioters destroying the prosperous black community in Oklahoma.
Women In Film Los Angeles released a response to the ongoing protests in LA and around the world against the racist murders of George Floyd, Breonna Taylor, and Ahmaud Arbery, according to Deadline. Calling for an end to anti-Black violence on their official Twitter account, Women In Film went on to encourage “real, systemic change,” while, at the same time, declaring their support for those among their members (as well as the LA community at large) who fight for racial justice. With this statement, Women In Film joins the many media organizations, agencies, and networks in the industry endorsing sociocultural change.
In celebration of Alien Day in April, The Guardian critic Ben Child ranked the eight films in the classic science fiction series from worst to best. Beginning with Paul W. S. Anderson’s Alien vs. Predator (2004) as well as Colin and Greg Strause’s Alien vs. Predator: Requiem (2007) tied for last, Child argues James Cameron’s Aliens (1986) surpasses Ridley Scott’s Alien (1979) as the greatest installment in the saga. Child writes, “Final mention, however, goes to Scott’s original Alien… At the time, there had simply been no more terrifying movie ever made by Hollywood, while [Sigourney] Weaver delivered a career-making performance.”
NASA administrator Jim Bridenstine took to Twitter on Tuesday to confirm that Tom Cruise will shoot his next action blockbuster on the International Space Station, according to Business Insider. Elon Musk’s SpaceX, which has been making strides toward sending private citizens to space (including the launch date for its first crewed mission to the station on May 27), will provide the flight, while NASA will charge a fee for independent astronauts to come aboard; Russia is the only country that can ship people to and from the station, where private citizen access will be granted to its facilities. No studio has officially greenlit the project as of yet.
With Irvin Kershner’s Star Wars: Episode V – The Empire Strikes Back (1980) released forty years ago this month, BBC critic Nicholas Barber writes that he finds the Star Wars film considered as the best to be “slower, stodgier, more contrived, convoluted, and repetitive.” Indeed, Barber is not alone in his opinion – notable reviewers such as Vincent Canby at The New York Times were also underwhelmed with the first sequel to George Lucas’s Star Wars: Episode IV – A New Hope (1977). Instead, Barber argues that the original is the greatest entry in the franchise, “with its wealth of history, mythology, politics, and technology.”
James Parrott’s The Music Box (1932), a half-hour Laurel and Hardy short, premiered April 16, 1932, according to The Post-Standard. In the slapstick duo’s masterpiece, Oliver Hardy and Stan Laurel play a couple of bumbling furniture movers who deliver a player-piano to a wealthy man’s house (Professor Theodore von Schwartzenhoffen, M.D., A.D., D.D.S., F.L.D., F-F-F-and-F (Billy Gilbert)). The film earned Stan and Ollie their first Academy Award, and it debuted almost thirty-two years to the day when a pair of Syracuse deliverymen brought down a chimney with the weight of their pulleys while delivering a piano on April 22, 1900.
With most of the world on lockdown due to coronavirus, filmmakers are finding themselves forced to pitch electronically for industry events such as Visions du Reel, Frontieres, as well as Sheffield Doc/Fest, which have all moved online, according to Screen Daily. United Kingdom-based script consultant and screenwriter David Pope says the COVID-19 pandemic will be an opportunity for more industry insiders to connect internationally. However, Annick Mahnert, the newly appointed market director at the Montreal-based genre forum Frontieres, says in-face meetings will still be crucial to collaboration, but online pitches will allow professionals to forge new relationships and discuss new content.
The production for Colin Trevorrow’s Jurassic World: Dominion (2021) may have been delayed due to the coronavirus pandemic, but the filmmaker has still offered fans a behind-the-scenes sneak peek, according to /Film. The new set photo features Maisie Lockwood (Isabella Sermon) – the cloned daughter of the late Sir Benjamin Lockwood (James Cromwell) – in a snowy environment after freeing all the captured dinosaurs at the end of J.A. Bayona’s Jurassic World: Fallen Kingdom (2018). Franchise alumni Chris Pratt, Bryce Dallas Howard, Justice Smith, Daniella Pineda, Sam Neill, Jeff Goldblum, as well as Laura Dern will all be returning to Dominion.