The top ten highest-grossing films of all time, adjusted for inflation

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Victor Fleming’s Gone with the Wind (1939) sold over two hundred million tickets during its eight releases in the United States, where Anthony Russo and Joe Russo’s Avengers: Endgame (2019) has sold close to ninety-five million domestically since April, but would contemporary theatergoers come out to see Gone with the Wind? (Photo Courtesy: CNBC).

Anthony Russo and Joe Russo’s Avengers: Endgame (2019) has surpassed James Cameron’s Avatar (2009) as the top-grossing film of all time, according to CNBC. However, Hollywood doesn’t adjust box office records for inflation due to a number of variables, such as the new forms of entertainment accessible to modern audiences, evolving movie content, and the dozens of inflation rates across global markets. But Comscore, a media analytics company, divided the average ticket price the year a picture was released into its gross to estimate the number of tickets sold (still not an exact science, since averages are imperfect data), and ranked the top ten grossers as follows, from lowest to highest: David Hand, William Cottrell, Wilfred Jackson, Larry Morey, Pierce Pearce, and Ben Sharpsteen’s Snow White and the Seven Dwarfs (1937); William Friedkin’s The Exorcist (1973); David Lean’s Doctor Zhivago (1965); Steven Spielberg’s Jaws (1975); Cecil B. DeMille’s The Ten Commandments (1956); James Cameron’s Titanic (1997); Steven Spielberg’s E.T. the Extra-Terrestrial (1982); Robert Wise’s The Sound of Music (1965); George Lucas’s Star Wars (1977); and Victor Fleming’s Gone with the Wind (1939).

James Cameron says new “Terminator” will be “direct sequel” to second film

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(Image Credit: ShortList).

Producer James Cameron promises Tim Miller’s Terminator: Dark Fate (2019) will be a followup to his The Terminator (1984) and Terminator 2: Judgment Day (1991), according to ShortList. Jonathan Mostow’s Terminator 3: Rise of the Machines (2003), McG’s Terminator Salvation (2009), and Alan Taylor’s Terminator Genisys (2015) earned sixty-nine percent, thirty-three percent, and twenty-five percent aggregated critical review scores on Rotten Tomatoes, respectively, whereas Cameron’s original sits at a hundred percent. In his interview, Cameron says the tone is what makes Dark Fate something of a third installment in a trilogy after T1 and T2, abandoning the more convoluted elements of the other films and instead focusing on a simpler storyline of one character chasing another.