Beginning Tuesday night, Porchlight Music Theatre artistic director Michael Weber is reviving the stage adaptation of Billy Wilder’s Sunset Boulevard (1950) at the Ruth Page Center for the Arts through December 8, according to the Chicago Tribune. With music by Andrew Lloyd Webber as well as lyrics and book by Don Black and Christopher Hampton, the two-and-a-half-hour play first opened in 1993 London after leading lady Gloria Swanson spent much of the 1950s fighting to create a musical interpretation. Patti LuPone played Norma Desmond during the production’s London run, while Glenn Close, Petula Clark, Diahann Carroll, and Kim Zimmer were cast in the role stateside.
Emile O’Brien, who founded the environmentalist film and television consultancy service Earth Angel, was inspired to do so after studying production at New York University and seeing how much waste there was on sets, according to Vice. As an example, BAFTA says a single hour of fiction or nonfiction television produced in the UK generates thirteen metric tons of carbon dioxide, which is almost as much CO2 as an American produces on average in a year. To encourage a business which prides itself on its progressivism to put its money where its mouth is environmentally, O’Brien suggests that crews departmentalize “Eco Production Assistants,” and that activist groups host awards ceremonies for sustainability.
In response to Martin Scorsese’s opinions about the Marvel Cinematic Universe, Samuel L. Jackson, who stars as head of SHIELD Nick Fury in ten MCU films, reminds Variety readers the filmmaker’s movies are controversial among Italian Americans, according to The Guardian. Scorsese told Empire that Marvel pictures are “not cinema” after trying and failing to get interested in them. Other industry insiders speaking out against what Scorsese said about the MCU include James Gunn, who directed Guardians of the Galaxy (2014), Karen Gillan (who plays Nebula in Guardians), as well as Joss Whedon, the director behind The Avengers (2012).
Sixty-five handwritten letters between Stockholm-born star Greta Garbo and Austrian actress and writer Salka Viertel, composed from 1932 to 1973, are expected to bring in sixty thousand film collectors’ dollars at auction, according to The Guardian. The correspondences, first sold to a fan in 1993 Florida, humanize the Swedish Sphinx’s “Nordic Noir” onscreen persona, articulating the isolation and melancholy she lived behind the scenes far from home with only her European friends’ writings to accompany her through Hollywood. Viertel, who biographers say was Garbo’s closest friend, cowrote a number of her classics and appeared alongside her in Jacques Feyder’s Anna Christie (1930).
The fifty-seventh New York Film Festival began Friday at Lincoln Center, and before it ends October 13, more than a hundred fifty movies will play, with many American and New York premieres for top prize winners from Cannes, Berlin, and Venice, according to CBS News. In addition, panel discussions, filmmakers workshops, revivals, and free screenings will take place. These sidebars include: a catalogue of documentary features; the “Secret Screening” (Josh and Benny Safdie’s Uncut Gems (2019)); “Projections,” a slate of experimental and short pictures; “Convergence,” interactive and virtual reality; a screenwriting masterclass by Olivier Assayas; and a celebration for the centennial anniversary of the American Society of Cinematographers.
Rocky Lang and film historian Barbara Hall have edited and compiled the new book Letters from Hollywood: Inside the Private World of Classic American Moviemaking, a collection of written correspondences between classical stars, according to NPR. Hall says the documents humanize the artists who wrote them, and filmmaker Peter Bogdanovich, who penned the foreword, says this publication is more historical than it is an invasion of privacy. Ingrid Bergman, Katharine Hepburn, Marlene Dietrich, Audrey Hepburn, Bette Davis, Hattie McDaniel, as well as Henry Fonda are among the authors found in the text, writing to everyone from Ernest Hemingway to George Cukor to Jack Warner to Hedda Hopper to William Wyler.
Lorene Scafaria’s Hustlers (2019) joins Steven Soderbergh’s Magic Mike (2012), Gregory Jacobs’s Magic Mike XXL (2015), as well as Gene Graham’s This One’s for the Ladies (2019) in its empathetic representation of the camaraderie between strippers, according to The Atlantic. This marks a progression from the likes of Adrian Lyne’s Flashdance (1983), which isolates star Jennifer Beales from her fellow dancers, or Paul Verhoeven’s Showgirls (1995), wherein Elizabeth Berkley’s unlikable protagonist sabotages her relationships with other strippers. Hustlers castmate and consultant Jacq the Stripper tells Variety the film’s nuanced treatment of her community is because of their inclusiveness toward her.