Spyglass Media Group is rebooting Wes Craven’s Scream (1996) in partnership with Matthew Bettinelli-Olpin and Tyler Gillett, who directed Ready or Not (2019), according to Variety. Bettinelli-Olpin and Gillett are part of filmmaking group Radio Silence with Chad Villella, who will serve as one of the producers behind the untitled Scream reboot; Radio Silence produced V/H/S (2012), Devil’s Due (2014), and Southbound (2015). As for Spyglass, they were organized a year ago with former MGM executive Gary Barber and Lantern Entertainment co-presidents Andy Mitchell and Milos Brajovic, who took over the rights to Scream from the Weinstein Co. in 2018.
Since Forbes contributor Kelly Richmond Pope says she uses film to teach accounting to her students because, she writes, “numbers tell the best stories,” she has come to discover while composing this year’s syllabus that film could also teach entrepreneurs about fraud schemes. Companies lose five percent of their annual revenues to payroll fraud, cash theft, as well as expense fraud, and entrepreneurs are especially vulnerable because so little of their time or resources are invested in internal controls. The five films Pope recommends for entrepreneurs are: Steve James’s Abacus: Small Enough to Jail (2016); Netflix’s Ozark (2017-); Pope’s own All the Queen’s Horses (2017); Frank Darabont’s The Shawshank Redemption (1994); and AMC’s Breaking Bad (2008-2013).
MGM Motion Picture Group president Jonathan Glickman is stepping down to be a producer for the studio after chairman and CEO Gary Barber was fired in 2018, according to Deadline. Meanwhile, former New Line-DreamWorks-Sony executive as well as Fifty Shades of Grey producer Michael De Luca will become chairman of the MGM Film Group as late as March, making him the equivalent to MGM Worldwide Television Group chairman Mark Burnett. De Luca previously declined the opportunity to run Paramount for Jim Gianopulos, and Glickman has been working with MGM since 2011, outlasting both Barber and Roger Birnbaum from Spyglass Entertainment, who arrived with him.
When BBC Culture polled the greatest films directed by women, only nine of the top twenty-five were released before 1990, and a fifth of the top one hundred are dated 1999, 2008, 2014, or 2017, which seems to be symptomatic of a new filmmaking golden age, according to BBC News. Australian critic and Hollywood-based presenter Alicia Malone says the rise of independent film in the 1990s democratized moviemaking, as newer, smaller studios allocated more risk-averse budgets and high-definition consumer video cameras to previously unheard of artists. Tricia Tuttle, the artistic director of the BFI London Film Festival, says it’s still too soon to know whether we’re in a golden age or not, but with four out of the five female nominees for the Best Director Academy Award being nominated after 1990, change is here.
Sight & Sound named Joanna Hogg’s semiautobiographical The Souvenir (2019), introducing Honor Swinton Byrne as a promising young filmmaker who falls for a charismatic (if self-indulgent) heroin addict, as the greatest film of the year, according to IndieWire. The BBC also listed it in the hundred best movies directed by women; in addition, Sight & Sound included Bong Joon Ho’s Parasite (2019), Quentin Tarantino’s Once Upon a Time in Hollywood (2019), Martin Scorsese’s The Irishman (2019), and Jordan Peele’s Us (2019) in its top twenty. Neither Sight & Sound, nor Time with its top ten, recognized Todd Phillips’s Joker (2019), but both did Noah Baumbach’s Marriage Story (2019).
As part of his review of legacy antitrust decisions (up next is a 1941 music royalties decree) since his appointment in 2017, Makan Delrahim, the chief of the United States Department of Justice’s antitrust division, struck down the Paramount Decree, according to the Financial Times. The 1948 competition case began as a 1938 price-fixing and monopolization lawsuit against eight Hollywood film companies; the outcome regulated the divestiture between distribution and theater ownership, as well as the practice of studios dictating minimum ticket prices. Delrahim told an American Bar Association antitrust conference in Washington online streaming services have changed exhibition over the last eighty years, but the Independent Cinema Alliance says this move will hurt smaller theater chains.
On Wednesday, Branford College hosted a Residential College Tea with composer Howard Shore, who shared with conductor John Mauceri the technical method as well as the emotional artistry behind cinematic scoring, according to the Yale Daily News. Shore, who scored the likes of Peter Jackson’s The Lord of the Rings trilogy, says one must be disciplined enough to write music bar by bar and page by page, while, at the same time, composing from the heart, rather than analytically or intellectually (which all comes later). Shore’s next project will be featured in François Girard’s The Song of Names (2019), with a Christmas Day release date.