Lorene Scafaria’s Hustlers (2019) joins Steven Soderbergh’s Magic Mike (2012), Gregory Jacobs’s Magic Mike XXL (2015), as well as Gene Graham’s This One’s for the Ladies (2019) in its empathetic representation of the camaraderie between strippers, according to The Atlantic. This marks a progression from the likes of Adrian Lyne’s Flashdance (1983), which isolates star Jennifer Beales from her fellow dancers, or Paul Verhoeven’s Showgirls (1995), wherein Elizabeth Berkley’s unlikable protagonist sabotages her relationships with other strippers. Hustlers castmate and consultant Jacq the Stripper tells Variety the film’s nuanced treatment of her community is because of their inclusiveness toward her.
With the advent of streaming platforms from media corporations looking to compete against Netflix, Syracuse University television, radio, and film professors say their freshmen are entering the entertainment industry at a lucrative time, according to student newspaper The Daily Orange. Department chair Michael Schoonmaker says this is a “Golden Age of Entertainment” for traditional movies and television as well. Even though film majors are stereotypically faced with skepticism, especially because anyone who owns a camera phone can become a filmmaker now, original content is in demand from undiscovered, young artists, as Hulu, Amazon Prime, Showtime, and CBS flood their collections.