Sixty-five handwritten letters between Stockholm-born star Greta Garbo and Austrian actress and writer Salka Viertel, composed from 1932 to 1973, are expected to bring in sixty thousand film collectors’ dollars at auction, according to The Guardian. The correspondences, first sold to a fan in 1993 Florida, humanize the Swedish Sphinx’s “Nordic Noir” onscreen persona, articulating the isolation and melancholy she lived behind the scenes far from home with only her European friends’ writings to accompany her through Hollywood. Viertel, who biographers say was Garbo’s closest friend, cowrote a number of her classics and appeared alongside her in Jacques Feyder’s Anna Christie (1930).
Rocky Lang and film historian Barbara Hall have edited and compiled the new book Letters from Hollywood: Inside the Private World of Classic American Moviemaking, a collection of written correspondences between classical stars, according to NPR. Hall says the documents humanize the artists who wrote them, and filmmaker Peter Bogdanovich, who penned the foreword, says this publication is more historical than it is an invasion of privacy. Ingrid Bergman, Katharine Hepburn, Marlene Dietrich, Audrey Hepburn, Bette Davis, Hattie McDaniel, as well as Henry Fonda are among the authors found in the text, writing to everyone from Ernest Hemingway to George Cukor to Jack Warner to Hedda Hopper to William Wyler.
Beginning August 16, Criterion Channel will spotlight eleven films Barbara Stanwyck made between 1930 and 1934 before Hays Code-era restrictions censored the silver screen, according to Fox News. Imogen Sara Smith, the historian hosting the marathon, says Stanwyck (born Ruby Stevens in 1907 Brooklyn) was orphaned at the age of four, dropped out of school as a thirteen-year-old, performed for speakeasies at fifteen, became a Broadway star five years later, and found work in Hollywood in 1929. The actress did not retire until her late seventies, with more than eighty movie and television credits to her name when she died from congestive heart failure in 1990.
After debuting last month, Criterion Channel offers over a thousand titles from the Criterion Collection as well as distributor Janus Films for eleven dollars a month, according to Fortune; the archive is relatively small, but there are more Golden Age movies than on Netflix, which largely limits itself to the last twenty-five years, and Amazon Prime, which charges members extra to watch older pictures. Reviewer Lance Whitney writes that Criterion includes a diversity of silent, sound, short, feature-length, international, and independent releases from Sony Pictures, Warner Brothers, Paramount, MGM, Lionsgate, and IFC Films; while the likes of Orson Welles’s Citizen Kane (1941), Michael Curtiz’s Casablanca (1942), or Sir Alfred Hitchcock’s American classics are not yet part of the selection, the library will grow if more studios sign licensing deals. Overall, Whitney’s review is positive, praising special features such as interviews, documentaries, and collections; however, while the fledgling streaming service is compatible with all browsers, some available texts are only searchable on the website.