James Gandolfini wanted “The Sopranos” to be a movie before passing away in 2013

Vincent Pastore, who played Salvatore Bonpensiero on HBO’s The Sopranos (1999-2007), told The Sunday Times series star James Gandolfini wanted to adapt the show to film before he died of a heart attack at fifty-one years old on vacation in Italy, according to Metro. Pastore says showrunner David Chase ended the series ambiguously on purpose so as to open The Sopranos up for a movie. Chase describes the “genius” actor as one of the greatest of all time, Gandolfini having won three Primetime Emmy Awards as well as a Golden Globe for his performance as conflicted mob boss Tony Soprano.

“Tiger King” director on the future of the Netflix documentary series

Last year, UCP signed Kate McKinnon to star in and executive produce a limited series called Joe Exotic, a scripted adaptation of a Wondery podcast, according to Page Six. However, Eric Goode, who codirected Netflix’s Tiger King (2020), says he feels like dramatization would not do the story justice, though he would cast McKinnon (or Kathy Bates) as animal rights activist Carole Baskin, and Edward Norton or Sam Rockwell as Joe Exotic. While Dax Shepard, Jared Leto, and Norton himself have been playfully lobbying for the role on social media, Goode says he has enough footage for a second season.

Film at Lincoln Center magazine to go on hiatus

 

filmcommentlogo2016_875c-fbcard.
Film at Lincoln Center’s Rendez-Vous with French Cinema and Mapping Bacurau events have been cut short, and its New Directors/New Films series with the Museum of Modern Art was postponed; the center’s annual Chaplin Awards Gala fundraiser has also been postponed until this fall. (Image Courtesy: Variety).

 

On Friday, Film at Lincoln Center executive director Lesli Klainberg released a memo announcing the organization would be furloughing or laying off half of its fifty-person full-time staff and all of its part-time employees, according to Variety. While continuing to provide health insurance for the furloughed full-timers, the company (which has published Film Comment since 1962) will release the May/June issue of the cinema and arts magazine digitally, after which time it will be placed on an indefinite hiatus. As per recommendations from the Department of Health and Centers for Disease Control, the center already suspended its theater operations March 12.

Michael Biehn cast in the second season of Disney+’s “The Mandalorian” (2019-)

 

Mandalorian-Season-2-Cast-700x321
Filming for the second season of Disney+’s The Mandalorian (2019-) has recently wrapped production. (Image Courtesy: /Film).

 

Michael Biehn has been cast in the second season of Disney+’s The Mandalorian (2019-) as a bounty hunter from the titular Din Djarin’s (Pedro Pascal) past, according to /Film. A James Camron alumnus, Biehn has starred in The Terminator (1984), Aliens (1986), as well as The Abyss (1989), in addition to action movie classics such as George P. Cosmatos’s Tombstone (1993). Giancarlo Esposito is expected to reprise his role, Rosario Dawson will play fan-favorite Ahsoka Tano, and Bill Burr, Carl Weathers, and Gina Carano are all set to return; Baby Yoda (officially called “The Child”) is back also.

Garry Marshall’s “Pretty Woman” (1990) turns thirty

The Guardian critic Scott Tobias writes that Garry Marshall’s Pretty Woman (1990) may have been released in the 1990s, but it is very 1980s with its “greed is good,” Reaganomics materialism, as well as its ultraconservative sexual politics. After all, it is about a Hollywood Boulevard prostitute named Vivian Ward (Julia Roberts) – who is new to streetwalking, does no drugs, and doesn’t have a pimp – snagging a wealthy out-of-towner named Edward Lewis (Richard Gere), who innocently meets her asking for directions. According to Tobias, Roberts’s star-making turn, which made her America’s sweetheart overnight, elevates the film beyond its shortcomings.

In Florida, film industry is doing well

film-production
First created under then-Governor Jeb Bush, the FFEAC is made up of former legislators, business executives, entertainment industry veterans, and community leaders volunteering to advise the Department of Public Opportunity on how to best develop, market, promote, and provide services to Florida’s entertainment industry. (Image Courtesy: Florida Politics).

House Bill 7039, as well as Senate Bill 1636, went before the Florida Legislature at this year’s Legislative Session, threatening to repeal the Florida Film and Entertainment Advisory Council, according to Florida Politics. Even though the Legislature declined to approve a new film production program for 2020, the film industry successfully spoke out against HB 7039 with an amendment to the bill sparing the FFEAC which now awaits Governor Ron DeSantis’s signature. Floridians in the trade earn an average of eighty-two thousand dollars per year, which is two-thirds greater than the state average for all jobs, not to mention the businesses and tourism supported by film and television productions, raking in tax revenues for the government.

Website lists ten greatest thrillers of all time

 

spellbound-768x768
The arbitrariness of truth and the infinity of human cruelty are key themes throughout thrillers, and shadows, dreams, crime, paranoia, conspiracy, and suspicion are key motifs. (Image Courtesy: The Manual).

 

The “thriller” is difficult to differentiate from the film noir, horror, action, or suspense, according to The Manual. In an effort to define the parameters of the genre, writer Eric Shorey listed some of the best movies considered to be thrillers. The website’s ten best thrillers are: Jonathan Demme’s The Silence of the Lambs (1991); Paul Verhoeven’s Basic Instinct (1992); Christopher Nolan’s Memento (2000); Bong Joon-ho’s Parasite (2019); David Lynch’s Mulholland Drive (2001); Park Chan-wook’s Lady Vengeance (2005); Rob Reiner’s Misery (1990); Nicholas Winding Refn’s Drive (2011); Sir Alfred Hitchcock’s Spellbound (1945); as well as Stanley Kubrick’s Eyes Wide Shut (1999).